Images of Works
as of April 2026
Work Title: material : brick ~ material : body (2026)
Exhibition: Commissioned for An Offering, A Burning, A Prayer, 4A Centre for Contemporary Asian Art, Haymarket, Australia. Medium: Installation, Iterative Performance Interventions throughout exhibition, inside gallery and on the public footpath. Materials: bricks salvaged from the gallery building’s recent demolition and renovation, kim-choa (joss paper), joss sticks, cotton twines, spring hooks. Size: variable, 40 salvaged bricks distributed throughout two-storey building.
Photos by Phong Le
Work Title: Walk with me, Ciburial : Being and Place (2026)
Sociocultural Residency & Public Space Presentation: Gelanggang Olah Rasa Arts Collective Space with artist co-initiator: Alan Schacher. Location: Dago Atas, Ciburial, Bandung, Indonesia . Medium: Performance Installation and Interventions in the public spaces . Materials: Found Objects, Costume by Dian Mayang Sari, and Resins with found objects by a.k.a. Jekbell & Sammy Syauta. Size: variable.
Photo by Rhea Laras Thehawijaya
Work Title: The Almanac, The Husk (Cover me in Time) (2025)
Performance Event: Night Voyage to the Otherworld: Rituals of Departure. Location: C-Lab, Taipei, Taiwan. Medium: Participatory site-specific performance. Materials: sticks found on Tainan beach, GuoSheng lighthouse, a bowl of water, rice starch, Chinese almanac paper. Size: variable.
Photo by Craphone Liu
Work Title: Statements of Reflected Gold (2025)
Performance Art Festival: Paris Live Art Tour 10, Art Basel, The Grand Palais, France. Medium: Final performance under material, out of 21 performance interventions presented in different public spaces across Paris. Materials: Recycled gold cardboard. Size: 2m x 0.9m.
Photo by DengZhen
Work Title: Smoke and Clouds (2025)
Performance Art Festival: Paris Live Art Tour 10, Art Basel, The Grand Palais, France. Medium: 20 out of 21 performance interventions presented in different public spaces across Paris. Materials: Recycled fibrous packing material, hand-stitched with white threads. Size: 2.5m L x 0.16m W.
Photo by DengZhen
Work Title: Threads and Currents (2025)
Development Residency and Public Space Presentation Project: Tracing Embodied Histories through the Waterways’ Memories of Tainan. Location: the footbridge at the public utility dam of Chaitougang Creek between farmland, factories and ocean, Tainan, Taiwan, supported by Tainan City Government Cultural Affairs Bureau. Medium: public space performance-installation intervention. Materials: blue silk cloth, blue threads, branches and two sticks found on site.
Photo by Craphone Liu
Work Title: Convergences, Relevances (2025)
Rex Cramphorn Research Studio Residency: hosted by the discipline of Theatre and Performance Studies, University of Sydney, funded by Create NSW Next Steps - Professional Development. Medium: 3rd out 11 performance images created in a 6-hour performance across different locations of Camperdown Campus. Location: Graffiti Tunnel. Materials: Takeaway chopsticks, rubber bands.
Photo by @samueljames21
Work Title: Convergences, Relevances (2025)
Rex Cramphorn Research Studio Residency: hosted by the discipline of Theatre and Performance Studies, University of Sydney, funded by Create NSW Next Steps - Professional Development. Medium: 4th out 11 performance images created in a 6-hour performance across different locations of Camperdown Campus. Location: Corner between RC Mills Fine Arts Building and Tennis Lawns. Materials: Horsehair, Human Hair, Callipers.
Photo by @samueljames21
Work Title: Pink Regenesis of the Curse (2024)
Two Performance Commissions: for the EDGE White Bay - Sydney Biennale, 24th Biennale of Sydney. Location: White Bay Power Station, Rozelle. Medium: 3-hour place-responsive performances, entire lower ground and participatory at the end; co-concept & co-deviser Ryuichi Fujimura. Material: Handmade adaptive costume.
Top Photo by © 2024 Vsevelod Vlaskine
Bottom Photo by Fancyboy Photography
Work Title: Sounds Like Divintation (2024)
Part of Amulet Body performance-installation commission: for 4A Centre of Contemporary Asian Art. Medium: Weekly street divinations. Location: Thomas Street, Sydney Chinatown. Material: Dowel sticks, fabric, cotton twine, stools
Work Title: Stories from the Body #6, #7- egress, emancipaNon (2023)
Performance commission for: Carriageworks Nights, CONSENT. Location: Carriageworks, Sydney. Medium: Roving Performance, Participatory, 70 minutes. Performance Assistants: Martin Fox, Alan Schacher. Materials: Artist’s hair, blue cloths. Dimension: variable.
Frame Grab Image by Denis Beaubois
Work Title: Stories from the Body #1, 2022
Performance adaptation commission: for Performance Contemporary, Sydney Contemporary. Location: Carriageworks. Medium: roving and participatory with materials. Materials: black piping conduit, bellows with pipes attached. Dimension: variable.
