Images of Works
as of April 2026
Work Title: material : brick ~ material : body (2026)
Exhibition: An Offering, A Burning, A Prayer, 4A Centre for Contemporary Asian Art, Haymarket, Australia. Medium: Installation, Iterative Performance Interventions throughout exhibition, inside gallery and on the public footpath. Materials: bricks salvaged from the gallery building’s recent demolition and renovation, kim-choa (joss paper), joss sticks, cotton twines, spring hooks. Size: variable, 40 salvaged bricks distributed throughout two-storey building.
Photos by Phong Le
Work Title: Statements of Reflected Gold (2025)
Performance Art Festival: Paris Live Art Tour 10, Art Basel, The Grand Palais, France. Medium: Final performance under material, out of 21 performance interventions presented in different public spaces across Paris. Materials: Recycled gold cardboard. Size: 2m x 0.9m.
Photos by DengZhen
Work Title: Catching of Threads (2025)
Development Residency and Public Space Presentation Project: Tracing Embodied Histories through the Waterways’ Memories of Tainan. Location: the footbridge at the public utility dam of Chaitougang Creek between farmland, factories and ocean, Tainan, Taiwan, supported by Tainan City Government Cultural Affairs Bureau. Medium: public space performance-installation intervention. Materials: blue silk cloth, blue threads, found branches and two sticks found on site.
Photos by Craphone Liu
Work Title: Convergences, Relevances (2025)
Videolink of film series #1, Cornered Consciousness
Rex Cramphorn Research Studio Residency: hosted by the discipline of Theatre and Performance Studies, University of Sydney, funded by Create NSW Next Steps - Professional Development. Medium: 1 out 11 performance images created, part of a 6-hour performance across different locations of Camperdown Campus. Location: Back corner of R.C. Mills Building which houses the Faculty of Medicine and Health, Faculty of Health Science, The Schaeffer Library, The Department of Art History, Film Studies and Museum studies, and the Power Institute. Materials: Horsehair, Human Hair, Callipers.
Photo by @samueljames21
Work Title: Pink Regenesis of the Curse (2024)
Two Performance Commissions: for the EDGE White Bay - Sydney Biennale, 24th Biennale of Sydney, White Bay Power Station, Rozelle. Medium: 3-hour place-responsive performances, roving entire lower ground and participatory at the end; co-concept and co-deviser Ryuichi Fujimura. Material: Handmade adaptive costume.
Photo: Top by © 2024 Vsevelod Vlaskine; bottom by Fancyboy Photography
Work Title: Stories from the Body #1, 2022
Performance adaptation commission: for Performance Contemporary, Sydney Contemporary. Location: Carriageworks. Medium: roving and participatory with materials. Materials: black piping conduit, bellows with pipes attached. Dimension: variable.
Photo by James Horan
Work Title: Stories from the Body #1, 2019
Exhibition: Commission for with every breath, Blue Mountains City Art Gallery, Blue Mountains Culture Centre, Australia. Medium: Installation, Multiple performances throughout exhibition. Materials: steel, aluminum mesh, paper, cardboard, piping conduits, fishing lines, arduino, servo motors. Size: 3m x 1.2m.
